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SDG

Enigma variations, Nimrod, Eward Elgar, Lux Aeterna

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.

SDG

3:09	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
Tenore II		14	0	3	6	88%
Basso		13	0	1	4	86%
Alto		10	0	2	4	82%
TENORE I		9	0	1	5	76%

Het is volbracht! (variant I). Composed by Gertim and harmonisation improved by BSG.

SDG

0:56	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		13	0	3	7	97%
		21	0	4	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		13	0	3	7	97%
		21	0	4	6	94%

20. Het is volbracht, Dutch lyrics, Nederlands, Schemelli, J.S. Bach, BWV 458.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

Abendlied, Josef Rheinberger.

SDG

3:09	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
Tenore II		14	0	3	6	88%
Basso		13	0	1	4	86%
Alto		10	0	2	4	82%
TENORE I		9	0	1	5	76%

There is none like You. Niemand is als U. Lenny LeBlanc. SATB acapella Arrangement: Gertim

SDG

2:17	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		19	0	2	8	90%
Soprano/Alto		17	0	5	7	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		19	0	2	8	90%
Soprano/Alto		17	0	5	7	90%

Cantique de Jean Racine. Gabriel Fauré. Op. 11. Giubiasco sampleset.

SDG

4:35	Est. Play Time
89	Measures
	1,103Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
Pedal		17	0	5	4	87%
Bass		16	0	5	8	76%
Tenor		15	0	5	6	73%
Alto		14	0	5	6	64%
Soprano		14	0	3	6	57%

20. Es ist vollbracht! (without lyrics), Schemelli, J.S. Bach, BWV 358.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

20. Es ist vollbracht!, German Lyrics, Schemelli, J.S. Bach, BWV 458.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

Enigma Variations, No. 9 Nimrod, just vocals, choir, Lux Aeterna, Edward Elgar.

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

Cantique de Jean Racine, Gabriël/Gabriel Fauré, with GrandOrgue recording, sampleset Giubiasco. Best version of the ones I uploaded! Listen with headphones on!

SDG

4:35	Est. Play Time
89	Measures
	1,062Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
Pedal		17	0	5	4	87%
Bass		16	0	5	8	76%
Tenor		15	0	5	6	73%
Alto		14	0	5	6	64%
Soprano		14	0	3	6	57%

20. It is finished. English lyrics, Schemelli, classic baroque style (lyrics), J.S. Bach, BWV 458.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

O Heer, mijn God, wanneer ik in verwond'ring. Hoe groot zijt Gij. How great Thou art. Arrangement: Gertim (SDG).

SDG

3:14	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	2	4	6	95%
Tenor/Bass		21	0	7	6	95%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	2	4	6	95%
Tenor/Bass		21	0	7	6	95%
Bass Guitar		15	0	3	6	50%
Contrabass		15	0	3	6	50%

Behold the lamb of God, Messiah Händel.

SDG

0:25	Est. Play Time
32	Measures
	1,242Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I, 2nd		18	0	3	8	100%
Violin II, 2nd		20	0	4	9	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I, 2nd		18	0	3	8	100%
Violin II, 2nd		20	0	4	9	100%
Violins I		18	0	3	8	100%
Violins II		20	0	4	9	100%
Bassoon, Bassoon		16	0	3	8	94%
Cello		16	0	3	8	94%
Contrabass		17	0	3	8	94%
Viola		16	0	3	9	94%
Alto		13	0	3	6	81%
		13	0	3	6	81%
		13	0	3	6	81%
Soprano		13	0	3	7	81%
		13	0	3	7	81%
		13	0	3	7	81%
Oboe, Oboe		13	0	3	7	81%
Harpsichord		24	50	6	8	75%
		24	36	5	8	72%
Tenor		13	0	4	6	75%
		13	0	4	6	75%
		13	0	4	6	75%
Bass		15	0	3	8	75%

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